Folk artifacts is an important resource for the development of rural cultural industry, and the revitalization and utilization of folk artifacts is an important way to stimulate the endogenous power of the countryside. Folk artifacts is an important resource for the development of rural cultural industry, and the revitalization and utilization of folk artifacts is an important way to stimulate the endogenous power of the countryside. The ideological connotation of folk artifacts can be summarized as " carrying the way of things", "harmonious coexistence", "integration into life", "making things for the people" and "seeking truth from facts". "and "seeking truth from facts", relying on the continuous improvement of skill level, social organization, aesthetic style and innovation ability, promoting the historical evolution of folk artifacts. promoting the historical evolution of folk artifacts, and presenting the evolution of craft refinement, category diversification, and professionalization of craftsmen, and "seeking truth from facts". professionalization of craftsmen, and moving towards diversified operation and shared transformation, digital survival. innovative development of folk artifacts under the strategy of rural revitalization, it is necessary to improve the transformation mode of creative design, innovate the development mode of folk artifacts, and to improve the development mode of folk artifacts. design, innovate the development mode of rural cultural industry, and update the cultivation mode of innovative talents in terms of the ideological It is necessary to improve the transformation mode of creative design, innovate the development mode of rural cultural industry, and update the cultivation mode of innovative talents in terms of the ideological connotation, industrial elements, and practical experience of folk artifacts, so as to continue to give full play to the powerful driving force of folk artifacts in the promotion of rural revitalization.
Guangzhou embroidery, an intangible cultural property of China, is distinguished by its pattern drawings that showcase a harmonious amalgamation of Eastern and Western influences within the Lingnan region. Currently, the embroidery business is facing a shortage of staff, resulting in a deficiency in cultural distribution among young individuals and a dearth of innovative approaches in drawing design.This study aims to assess the viability of integrating AI painting into Guangzhou embroidery. To achieve this, a functional model of Guangzhou embroidery AI painting design is developed, comprising four distinct stages: (1) conducting field research and reviewing relevant literature to generate a project; (2) implementing AI painting in five key areas, namely Theme, Color, Style, Composition, and Atmosphere; and (3) soliciting feedback from a group of young Guangzhou embroidery practitioners to evaluate the outputs of the model. The present study aims to evaluate the latent component structure, structural validity, and internal consistency of the assessment tool.The findings indicate that the AI-generated drawings, as per the model, demonstrate strong reliability and validity across the five dimensions assessed in the evaluation questionnaire: Regional feature preference, Understanding, Innovativeness, Artistry, and Consumer Willingness. Furthermore, these drawings are well-received by the youth demographic, with regional characteristics exhibiting the strongest association with preference.Artificial intelligence-generated designs have proven to be well-suited for incorporation into several applications, including the manufacturing of Guangzhou embroidered tiny ornaments, cultural and creative products, do-it-yourself kits, as well as the partial integration into the manufacture of everyday objects such as clothing, bags, and other commodities. This aligns with the purchasing preferences of the younger demographic. The operational prototype of an AI-based drawing design system has the potential to offer novel insights for the advancement of Guangzhou embroidery. Additionally, it serves as a valuable exemplar for the integration of artificial intelligence with traditional craftsmanship.
Artificial intelligence (AI) is moving toward a new stage in its generalized development. To explain the upgrading path of sustainable design driven by AI can provide a certain basis and support for its application in design. Based on research into modern intelligence technology and design practices, this article (1) focuses on AI+, through relational comparisons and hierarchical structure analysis; (2) studies the value-added effect and new characteristics exhibited by the content, method, process, form, effect, and other aspects of design under the concept of sustainability; and (3) explores the upgrading mode and technological application of sustainable design, whose development is obviously influenced by the new generation of intelligence technology, through the upgrading paths of sensation, thinking, simulacrum, and construction. The continuous integration of sustainable design and AI is a trend that will endow the design process and designed objects with intelligent functions and multiple characteristics from the dimensions of cognition, thought, expression, and action. New tools and subjects will profoundly affect the value creation of design in the dimensions of environment, economy, and society.
This article puts forward the Neo-Ruralism idea based on rural life and rural landscape planning practice. Neo-Ruralism represents a new landscape planning way to promote the construction of the new socialist countryside and the realization of building a socialist harmonious society under the circumstance of keeping the rural nature of the countryside as much as possible and making production, life and environment go harmonious with another.
The integration of science and art can promote innovative changes in design theory and practice. On September 23, 2023, the 9th Oriental Design Forum and the Establishment Conference of the International Society for Design Science Shanghai Representative Office, jointly hosted by Shanghai Jiao Tong University, the International Society for Design Science, and the Shanghai Art Master's Education Guidance Committee, were held to explore the science and art of design, and create innovative design logic, design systems, and design methods. The forum invites experts and scholars from both domestic and international academia and industry to express their opinions, exchange ideas, and discuss topics such as the science and art of design, design innovation and its relationship with the international economic and trade investment, design trend insights, and the cultivation of young rural designers.
